Member activity : Samir Bhowmik
RT @AnjulieRao: For @architectmag, my “review” of the Chicago Architecture Biennial, in which my concerns aren’t about the installations th…
RT @PlacesJournal: "Space architecture is like Earth architecture with the volume turned up to eleven," writes Fred Scharmen. Check out his…
RT @ibogost: The metaverse is bad, sorry. https://t.co/SSUnqNKlTz
Technological (fossil-fueled) revolutions drive capitalism. And, at the end of every revolution fizzles out a dysto… https://t.co/gGRYjc5wSl
RT @McLuhanCHI: We’re so very excited for this new book edited by @sarahrsharma & @riankasingh based on the last few years of #MondayNightS…
@sonali_dhanpal I used it to in 2015 to write mine. So, excellent choice. Configuring the automatic citation / refe… https://t.co/iRgBQwJRv5
RT @AlejoPedregal: The short version of my article for @AVEKfi and @theMPIJournal, 'Cinematic time and the accumulation of ecosocial crises…
Very Sebald-ian: “Abstraction had been a tool of coloniality and inequality since the world-system . . . took shape… https://t.co/L3lhfFsToo
RT @TheArtsCatalyst: We’re excited to announce a new artist-led co-inquiry; Emergent Ecologies. Over the next two years, @TheArtsCatalyst w…
#Hydrocolonialism https://t.co/i8S3pHn3uh
“Research on the deployment of AI & computation generally in performance would be better served through attention t… https://t.co/bKh7apLwsW
RT @Pujita03: Today the @BusanBiennale is opening. Curated by Ritika Biswas, the festival looks at the politics of nonhuman assemblages. A…
“Six million people were killed as a consequence of partition…you can’t separate yourself from history.” British ar… https://t.co/WcHMyOdtYS
RT @NieuweInstituut: The new publication 'Lithium. States of Exhaustion' introduces us to the subjects and objects powered by this extraord…
Tomorrow, 14.10, I will be digging into “Extractivism in the Post-Anthropocene”, connecting Da Vinci’s Vitruvian ma… https://t.co/EkDpcZDll3
RT @e_flux: Hito Steyerl, Department of Decentralization, and GPT-3, "Twenty-One Art Worlds: A Game Map", e-flux journal issue #121.
@ETHB…
RT @ztsamudzi: So excited to announce the call for submissions for the forthcoming 4th issue of Ellipses […] Journal, guest edited by Catal…
RT @AINowInstitute: How is AI generating existential hazards for vulnerable populations in the Global South?
@AdityaSChawla & Daniel Vale…
RT @lpietroiusti: Art & agroecology postgraduate programme open call - Announcements - Art & Education https://t.co/cIXfHCREUC @inland_ca…
RT @CjvHenderson: The unequal exchange of the green energy transition. Moroccan solar energy is transferred to Europe, while coal is used f…
RT @journomayank: Agariyas, the salt workers in Little Rann of Kutch (Gujarat), produce about 30% percent of India’s inland salt but their…
@stephwakefield_ And, a Video playlist from 2019 for the course: https://t.co/mYhlhlbQ7D
@stephwakefield_ Here is my syllabus of “Media and Environment” from 2020 with plenty of references to pretty much… https://t.co/IepHVVOgPC
RT @ArtsAtCERN: OPEN CALL: Collide Residency Award
Artists from all countries interested in fundamental science can submit their proposals…
RT @juspar: Our article "Measuring photographs" seems to be out today - Tomáš Dvořák as the lead author, me as the sidekick. The text stems…
RT @shannonmattern: I'm writing this thing about atlases of lost and fabulated landscapes - as sites of both geographic and epistemological…
RT @markamerika: The first “snapshot” of Mars looked like this because only “ones and zeroes” could be transmitted to earth from Mariner IV…
RT @lindsay_bremner: 'Cartographies of the Monsoon' opening at the Gallery Cafe, 309 Regents Street, London W1B 2HW on 18 Oct 18.30, runnin…
RT @blkmaterialist: Long time in the making, but my book, On Black Media Philosophy, is now online at @ucpress! I want to thank @stacyeisen…
RT @AINowInstitute: How do passion, emotion, and excess help us understand how people use algorithmic systems?
@SareetaAmrute explores te…