The 5th International Conference on the Histories of Media Art, Science and Technology, also known as Media Art Histories 2013 ‘Renew’, will be hosted by RIXC and held in Riga, Latvia, 8-11. October 2013, coinciding with the international festival for new media culture Art+Communication. It will host three days of keynotes, panels and poster sessions on the histories of networked digital, electronic and technological media arts.
Confirmed keynote speakers:
Prof. Dr. Peter WEIBEL / ZKM,
Prof. Dr. Erkki HUHTAMO / UCLA,
& t.b.a.
Besides general topics of the call, the theme of Renew, Media Art History 2013 addresses current tendencies in sustainability quests from various perspectives. As media art is based on increasingly out-dating technology and it is dependent on energy (electricity) the conference will discuss sustainable approaches towards the issues of producing, preserving and representing media artworks – how to ‘renew’ them through both – tools and histories. By focusing on networked media arts, the Renew conference will cover a broad range of topics to include early communication art (mail, fax, radio, satellite, etc.), net.art and net.radio, open source and network culture, locative media and wireless communities, hybrid networks and electromagnetic art, and last but not least – artistic investigations in sustainability, and future visions of art within the convergence of information and energy technologies.
EXTENDED DEADLINE for abstracts: February 15, 2013.
Further information on submission below.
Ambassador Report / Misc
CTM.13 The Golden Age – Report by Irina Spicaka
As said on the festival web-site, Transmediale is a Berlin-based festival and year-round project that draws out new connections between art, culture and technology. It has an exhibition programme, that presents thematically curated works in combination with a selection of entries from an annual call of works. There are also conference and workshop programmes that, depart from the festival theme, are using it to explore the critical dimension of networking, hacktivism, media theory and the politics of technological development. Furthermore, there is a video programme, that includes contemporary artistic video works and experimental film screenings with historical references.
The most interesting part for myself was the live audiovisual performance, workshop and exhibition programme that was a part of the CTM (formerly Club Transmediale), that annually supplements the Transmediale festival with adventurous music, club and art events. I wanted to be closer to the actual electronic audiovisual performace culture and activities within it, including talks, discussions, performances and parties, as right now I’m doing a research about this field in the Nordic-Baltic context.
Almost one week long event is over and a brief overview of mine can be found below.
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